This poetic style of writing parallels my own first novel Big Sur Marvels & Wondrous Delights (2001) by David Detrich, and shows the awareness of other writers who have been inspired by the Big Sur coast: Richard Brautigan, Jack Kerouac, Robinson Jeffers, William Everson and Carolyn Mary Kleefeld.
In all, almost a hundred painters, writers, dancers, sculptors and musicians have come and gone since I first arrived. At least a dozen possessed genuine talent and may leave their mark on the world.
Big Sur and the Oranges
of Hieronymus Bosch
Henry Miller
Henry Miller was impressed with the work of Hieronymus Bosch, and became a watercolor artist himself which he describes in his essay To Paint Is To Love Again (1960).
Bosch is one of the very few painters who—he was indeed more than a painter!—who acquired a magic vision. He saw through the phenomenal world, rendered it transparent, and thus revealed its pristine aspect. Seeing the world through his eyes it appears to us once again as a world of indestructible order, beauty, harmony, which it is our privilege to accept as a paradise or convert into a purgatory.
Big Sur and the Oranges
of Hieronymus Bosch
Henry Miller
Henry Miller published Into the Nightlife... (1947), a story taken from Black Spring (1936) that is written in the American modernist style, a dreamlike vision inspired by New York, and illustrated with the artistry of Israeli artist Bezalel Schatz. As a writer of innovative fiction Henry Miller developed his esthetic theory of dreamlike reality into the more sophisticated collaboration with artist Bezalel Schatz. I had a chance to look at the boxed edition of Into the Nightlife... (1947) while visiting the Henry Miller Memorial Library, and I find this to be his finest work, which parallels other poet/artist collaborations of the 20th Century such as Paul Eluard and Joan Miro's À Tout Éprouve (1958).
Henry Miller considered the dream reality that the Surrealists and Anais Nin were exploring in the early decades of the 20th Century, with Henry Miller showing a visionary dreamlike style that he at times calls "frenetic."
Prompted by Anaïs Nin and her immersion in psychoanalysis, Miller paid careful attention to recording his dreams and their impact on his psyche.
Henry Miller and narrative
form: constructing the self,
rejecting modernity
James M. Decker
Henry Miller writes as a visionary in Big Sur and the Oranges of Hieronymus Bosch with a metaphysical style that is inspired by the beauty of the coast. As a writer he opens the windows of his soul onto paradise.
The windows of the soul are infinite we are told, and it is through the eyes of the soul that paradise is visioned. If there are flaws in your paradise, open more windows! Vision is entirely a creative faculty: it uses the body and the mind as the navigator uses his instruments!
Big Sur and the Oranges
of Hieronymus Bosch
Henry Miller
Henry Miller mentions in the preface to Big Sur and the Oranges of Hieronymus Bosch that some of his books were banned for years, and it appears from the beginning that Henry Miller has chosen a difficult path as a writer. With Big Sur and the Oranges of Hieronymus Bosch Henry Miller has written a large scale self-portrait set in Big Sur with references to popular philosophers, and the artist community of the Big Sur coast, a large scale book written with the skill in essay/fictional writing that will help it remain a classic for years to come.
David Detrich lives in the Upper Peninsula of Michigan where he has just completed The Convergence of Two Narrative Lines Ascending, an ultramodern Surrealist novel written in minimal squares. He is working on Dream the Presence of the Circular Breast Starfish Topography, a monumental Surrealist novel written with innovative typographical design. His first novel Big Sur Marvels & Wondrous Delights (2001) is available from Amazon. He is the editor of Innovative Fiction Magazine and Surrealist Star Clustered Illuminations.