The tangled tall grass of the potential driveway runs up across the grassy green lot of the Summerland construct, as I meditate on the windswept waves of grass anticipated in blue which imply the future tense perspective on the mountain flowers which appear in intervals of swirling bluebells envisioned in a Surrealist pipedream, where the western hero dwells among the abstract pink petaled flower figures, who are preserved in the heart of the poet. The composition of the novelistic forms in lingerie is reminiscent of the arching back figurations where an erotic afterglow appears above the mountainous peaks of geometric rock portraits, which move amongst the characters of ancient fiction, creating a paradox in the blue violet parameters of the pentagonal flowerfield.
The creamy tan lines of the abstract curvilinear forms intensify into the volumes and color harmonies of wildflowers which augment the sandy foundation, creating an affinity with the novelist whose terraced steps represent the rock strewn path of a book lover. The paperback surface of the winding driveway is composed of a strata of silicate dust beneath the cadmium blue sky which symbolizes the idealism of the American innovator: emptiness drinks in the pleasure of forest green sensuality where a hot tub would create a place for deep relaxation in the blueberry mint waters which reflect the erotic nudes steamed in streams of sulfurous sensuality tangled up in the blue galactic swirls of intimate whirling whirlwind currents which form a happening of sonorities among the constellations, reflecting the nude couple steamed in sulfurous nebulosity.
Abstract constellations appear in the night sky theoretical of spherical blue white cloud formations, equidistant among the embryonic stellar clouds of nebulosity in peacock blue brush strokes of halo rings which arch across the arms of the galaxy ascending in imaginary lines of possible interrelationships before the bed frame of knotty silver chrome reflective wood. The wine of wisdom flows forth from the crystal glass which creates the aromatic pretext for enlightenment with nuances of intense petite sirah flavor savored before the golden glowing colors of the western sunset, as the polymorphic figurations of the intellect enhance the monumental novel where the characters are envisioned as Surrealist objects: the violet blue gentleman of exemplary pastel chalk textures is juxtaposed to the intense colors of the red violet circle. The squared avant garde personage with mountainous shoulders that are terraced with vineyards takes a sip of the rich velvety wine, as the red violet circle transforms into a facial expression with red lipstick highlighting waves of brown hair that flows into afternoon auraglow of the oceanic sun tanned sea breeze atmospherics. The subject of this literary phantasy writes in a leather notebook with the bindings of nightfall words that describe the nocturnal fantasies of the sundance filmmaker, who is a construction of lightweight metallic surfaces ilumined in the candlelight. The curvaceous words of the blue curves approach the heroic abstraction of molecular identity, a portrait of the luminary intellect drawn in a multifaceted emotional vibrance of illusory brush strokes.
The rockface figurations of the horizontal ridge form a photogenic promenade of nature trails rising before the aperture of the mountain abstraction where the exhibition of violet blue wildflowers creates a canvas of variable colorations suggesting the ancient novelistic synthesis of papyrus pages becoming eloquent with the characteristic language of poetic thought, words which inspire the olive green personification of desire, who writes through the chalky blue mists of the immortals.
David W Detrich lives in the Upper Peninsula of Michigan where he is revising a long Surrealist novel entitled Dream the Presence of the Circular Breast Starfish Topography. He edits Innovative Fiction Magazine and Surrealist Star Clustered Illuminations. His first novel Big Sur Marvels & Wondrous Delights (2001) includes color photographs. He has published concrete poetry in Word for /Word: A Journal of New Writing Issue 17 Summer 2010, and an excerpt from his long Surrealist novel Dream the Presence of the Circular Breast Starfish Topography in Word for /Word Issue 37 Summer 2021.
